To use the dark lighting at the beginning to clearly prove her sadness. The graffiti shot was lightly saturated:
As you can see, it has very beautiful and clear lighting, but I didn't really want this.
Although I was graced with beautiful lighting on the dates of my shootings, I had to reincorporate the idea of my lighting. Relying on post-production to help me convey this idea. Therefore, I used an editing technique called, "Gamma Correction"
Playing with the effect, I got to play with the darkness:
As you can see with the before and after shots, I was able to alter the lighting:
Before: Light |
After: Dark |
Whereas the light side of the title sequence, I got very lucky with the sunny lighting so I didn't have to rely much on post-production. The light depicts the happiness my protagonist has in her current state of being up London:
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